© » KADIST
Randa Maddah
Shot from the rooftop of her house in Majdal Shams, through a complex construction of moving mirrors, this video connects both sides of the border which has cut through Syrian Golan heights since the 1967 Six-Day war. Located on the cease-fire line, residents of Majdal Shams are reminded of this tragic separation on a daily basis. During the war the majority of the local population were exiled to Syria.
© » KADIST
Randa Maddah
A woman meticulously tidies up the room of a ruined house in the village of Ain Fit in the occupied Syrian Golan. The village was destroyed by the Israeli forces in 1967, as was the case for many other villages. Inhabitants were prevented from returning to their homes, fleeing to Syria’s refugee camps, separated from the rest of their families.
© » KADIST
Randa Maroufi
Randa Maroufi’s Bab Sebta , is named after a Spanish enclave in Morocco, Ceuta. The film is a portrait of the ‘doorway to Europe’, a place where a murky economy of semi legal exchanges take place across a border anomaly. The border is represented by painted lines across the tarmac, as innocent as playground markings but with far greater consequences.
Randa Maddah
Randa Maddah, was born 1983 in Majdal Shams, occupied Syrian Golan...
Randa Maroufi
Randa Maroufi works with video, photography, installation and performance, growing up among a society dominated by images, she is as critical and as skeptical of them as she is attracted to them...
© » ARTSJOURNAL
about 3 months ago (02/12/2024)
Over 600 writers have signed this open letter to PEN America...
© » SLASH PARIS
about 4 months ago (01/03/2024)
Dislocations — Exposition collective — Palais de Tokyo — Exhibition — Slash Paris Login Newsletter Twitter Facebook Dislocations — Exposition collective — Palais de Tokyo — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Dislocations — Exposition collective Exhibition Mixed media Upcoming Sara Kontar, Série Towards a Light, cyanotype, dimensions variables, 2021-2022 Courtesy de l’artiste Dislocations Exposition collective In 4 days: February 16 → June 30, 2024 At a time when international geopolitical developments are a palimpsest of times and spaces in crisis, The “Dislocations” exhibition brings together fifteen artists from different generations and backgrounds (Afghanistan, France, Iraq, Iran, Lebanon, Libya, Myanmar, Palestine, Syria and Ukraine) whose work is marked or informed by the experience of exile, of being torn between here and there, between past and present...
© » SLASH PARIS
about 4 months ago (01/03/2024)
Dislocations — Exposition collective — Palais de Tokyo — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Dislocations — Exposition collective — Palais de Tokyo — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Dislocations — Exposition collective Exposition Techniques mixtes À venir Sara Kontar, Série Towards a Light, cyanotype, dimensions variables, 2021-2022 Courtesy de l’artiste Dislocations Exposition collective Dans 4 jours : 16 février → 30 juin 2024 L’exposition « Dislocations » réunit quinze artistes, de générations et origines différentes (Afghanistan, France, Irak, Iran, Liban, Libye, Myanmar, Palestine, Syrie, Ukraine) dont le travail est marqué ou informé par l’expérience de l’exil, du déchirement entre ici et ailleurs, entre passé et présent...
